Composition and sound design for two audio pieces as part of the Donmar Warehouse’s Blindness: Take The Stage.
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Towards the end of 2020, Alice was selected as one of Sound and Music’s New Voices composers for 2020. As part of this programme, Sound and Music support composers over 18 months with coaching, mentoring and a financial grant to create a new piece of work and share it with the world.
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Composition and sound design for LAMDA’s ‘Blue Stockings’, written by Jessica Swale. Performed at the Sainsbury Theatre.
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A short audiovisual piece about loneliness in the city of London.
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Composition and sound design for Lighthouse’s audiovisual piece about Brighton’s high street, commissioned by Historic England. Selected for London Short Film Festival 2022.
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Composition and sound design for Land Skeins, a series of binaural audio stories, telling tales of encounters between humans and the natural world. Supported by National Youth Theatre, Paines Plough and BBC Writersroom. Nominated for an Offie OnComm Award.
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Composition, sound design and music direction for Theatre 503’s panto, ‘The Fairytale Revolution’, written by Anna Spearpoint and Lou Beresford. Live streamed to over 9000 school children in Wandsworth from Theatre 503.
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An audio piece in collaboration with non-fiction writer Laura Grace Simpkins, about the environmental impacts of lithium mining for lithium carbonate, a medication used to treat bipolar disorder. Selected for Louder Than The Storm’s climate intersectionality exhibition and Glasgow-based art radio channel Radiophrenia 2020.
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Composition for James Nash’s micro-game, ‘OBSTACOURSE’, using PICO-8’s 32 notes and 8 synth instruments.
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Composition, sound design, devising and performing for Poltergeist’s Untapped Award winning show, ‘Art Heist’, about three thieves who break into the same gallery on the same night. Performed at Latitude Festival, Underbelly Edinburgh, New Diorama Theatre, and more.
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Composition and sound design for Long Distance Theatre’s ‘Omelette’, about climate anxiety and the pressure to do the right thing. Performed at VAULT Festival 2020.
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Composition and sound design for ‘small myth’, a show which examines a mother and daughter’s stories unravelling in the face of climate crisis, and what might blossom in their place. Performed at VAULT Festival, 2020.
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Composition, sound design, devising and performing for Alan and Ron’s comedy drag show ‘Two Super Super Hot Men’, about two middle-aged foley artists coming to terms with the climate crisis. Performed at VAULT Festival 2020.
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Composition and sound design for Alex Robins' ‘Fireworks’, about whether the connections we make in life form through fate, or are random events in a chaotic universe. Performed at VAULT Festival 2020.
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‘Crisis’ is an audiovisual piece by Alice Boyd, in collaboration with filmmaker James Frederick Barrett. The piece was shortlisted for #CreateCOP25, a competition for the UN’s COP25 Climate Conference in Madrid, 2019.
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Composition by Alice Boyd and Serena Yagoub for the trailer for The North Wall’s ‘E8’ by Marika Mckennel, in association with The Pleasance. Performed at Pleasance Dome, Edinburgh Fringe 2019.
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Composition and sound design for Poltergeist’s award winning show ‘Lights Over Tesco Car Park’, about alien abductions and the search for truth. Performed at HOME Manchester, New Diorama Theatre, Pleasance at the Edinburgh Fringe, and more.
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‘Look Away’, a song written for Jake Hatt's film 'Pomegranate'.
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Composition for Bea Grant’s short film based on the book ‘The Poetics of Space’ by Gaston Bachelard.
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‘Look Away’ performed as part of Vulture Sessions, at the Albion Beatnik Book Shop in Oxford.
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